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Whether she's in front of the camera or behind the scenes, style icon Lauren Conrad has spent years learning from the pros and perfecting her look, and now she's sharing all her beauty secrets.

In her first guide dedicated exclusively to beauty, Lauren covers everything you need to know to maximize your own beauty potential. From tips for creating a strong foundation and maintaining healthy skin and hair through diet, exercise, and all-around wellness to everyday makeup techniques and tricks of the trade for special-occasion looks, Lauren Conrad Beauty provides the advice you've been waiting for. Lauren's personal anecdotes and illustrated step-by-step lessons for makeup, hair, and nails will have you looking great for day or night.

• Sales Rank: #30054 in Books
• Brand: Conrad, Lauren/ Loehnen, Elise
• Model: 9780062128454
• Published on: 2012-10-16
• Released on: 2012-10-16
• Original language: English
• Number of items: 1
• Dimensions: 9.13" h x .95" w x 7.38" l, 2.28 pounds
• Binding: Hardcover
• 288 pages

Features

• Used Book in Good Condition

About the Author

Lauren Conrad is an accomplished designer and entrepreneur, a #1 New York Times bestselling author, and was the star of MTV’s hits Laguna Beach and The Hills. She has been featured on the covers of People StyleWatch, Elle, Glamour, Redbook, Lucky, Cosmopolitan, Allure, Rolling Stone, Us Weekly, and Entertainment Weekly, among many other publications. She lives in Los Angeles, California.

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0 of 0 people found the following review helpful.
it is well organized and easy to understand
By stefani
While this book does include everything it advertises: makeup looks, hair dos, nail art, and explanation of what certain tools are for, the techniques taught are the very basic of them. This book is for the very beginners who are getting in makeup and hair. Everything on the book is something that you can find a video for in youtube, without having to read the book. However, it is well organized and easy to understand, so if you are a beginner it is a good choice for you. I recommend this book for beauty beginners and for those who are fans of Lauren Conrad and want to get her signature look.

0 of 0 people found the following review helpful.
This is a great beauty how to book
By Margaret
This is a great beauty how to book. As a fan of Lauren's and an avid blog reader, I was happy to finally get this book. She really seems to go over all the basis of beauty, and what can be defined as making you feel better about yourself. Eating properly and taking care of your skin. But what really makes it interesting is how she tips out how to apply makeup. Covering those pesky spots. How to take care of your hair and nails. She is also willing to show off some mistakes she had made at an early age with beauty. If you're looking for a book to help you get better with all of those things, this is the one for you.

3 of 3 people found the following review helpful.
Cute Read
By kaitlyn
I ordered this book for a quick read and to see someone else's perspective of hair and makeup. It was a quick and easy read. This book is better for someone who really doesn't know much about hair and makeup and wants to learn the basics. It's a pretty book that I display in my room as well.

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[K609.Ebook] Download Ebook Charlie Parker and Thematic Improvisation (Studies in Jazz), by Henry Martin

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Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. The conclusion sums up features of Parker's style and discusses his contribution in the context of Western music history. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.

• Sales Rank: #1839570 in eBooks
• Published on: 1996-01-01
• Released on: 2013-03-22
• Format: Kindle eBook

Review
...in-depth and closely analytical...an essential addition to the collection of anyone interested in creative improvised music from a musicological point of view. (Cadence)

This is the latest in a magnificent body of jazz literature, and, so far as depth is concerned, surely Rutgers' finest achievement...this volume is simply brilliant...such depth and omniscience in the purely musical sense. Exceptional. (Crescendo And Jazz Music)

About the Author
Henry Martin is a faculty member of the Jazz and Contemporary Music Program at the New School for Social Research.

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8 of 10 people found the following review helpful.
of academic interest only !
By Eddie Landsberg
Basically this book uses Schenkerian analysis to find sense in the improvisational lines of Charlie Parker.
The idea itself is not so bad, but to be honest, I think the best way to play Parker is to understand how he ticked, and definitely acquaint yourself with the language that he as well as people who play him used.
Charlie Parker, no doubt was a riff player... but the catch being that he didn't just play 2 or 3 or the same riffs all the time... he played 100s (well, maybe 100 or so identifiable motifs seem to pop up again and agin.) Of key note, they weren't the same old hackneyed stuff that everyone else before him played, but his own book... and all deeply and richly conceptual based on his understanding of conventional chord theory, which he saw differently than his peers as well as his experience actually blowing blues... hence, for example you might have a conventional riff like in 'Now's the Time', but in the mind of Bird, something is going to happen that makes it say something totally different and mind blowing... (For fun, listen to other tunes of his, and see if you can find other traditional blues and swing riffs hidden in between the other stuff he did... they're almost always present, but like WALDO, not necessarily easy to find, whether or not they're in your face.

My advice then, if you're buying this book for non-academic purposes, don't... however, take the following steps:
1. Learn to play your blues forms.
2. Learn to play "rhythm changes" form (in Bb) especially.
3. Learn to play basic II V I standards - - Including Cherokee, Stella By Starlight, Honeysuckle Rose etc.)
4. Master basic chord theory (R 3 5 9 11 13 - - major, minor, dominant, half diminished, etc.)
5. Once you can play chord runs in all keys, practice playing Jazz Melodies in general using the REAL BOOK, and as soon as possible graduating to ear.
6. Begin to transcribe simple BLUES heads... pre-bop o.k. (for example learn RED TOP and SYMPHONY SID by ear.)
7. Read Berliner's THINKING IN JAZZ and Amadea's HARMONIC FOUNDATIONS FOR JAZZ and POP.
8. Work on simple Parker Tunes from the REAL BOOKS (Now's The Time, Buzzy, Confirmation, Yardbird Suite, Billie's Bounce) - - If possible, try to figure out some stuff by ear... not that it is easy.
9. For help internalizing the melodies consider listening to Eddie Jefferson.
10. Once you've learned several dozen Parker tunes, beging to engage in your own chord/harmony style analysis, taking note why he seemed to choose the notes he chose, and the chord shapes the outlined. Be sure to get the DIAL and SAVOY recordings in particular.
11. While doing this, read up as much as you can about the life and times of Bird as well as the Bebop movement in general - - sometimes the way of thinking of a musician can give you clues to their choice of notes - - literally.
12. Continue your journey the way the old masters did... by listening to the old recording and doing their best to figure them out, but aurally and mentally.... boom, you got it..

As for this book... frankly speaking, the language it uses and approach it takes might appeal to people interested in composing from a classical perspective, but it definitely ain't how I or any Jazz musician I know think on the bandstand... so to that extent, its purely academic - - but a noble effort to find some intelligent way of cracking the code !

13 of 15 people found the following review helpful.
Someone give the author some credit please?
By A Customer
This could be one of the most insightful books on Parker's style ever published. For all of you musicians who are Bach fanatics (if you aren't check him out), this is the book for you. Henry gives a fresh perspective to an widely emmulated saxophonic vocabulary using a Schenkerian approach(If you don't have Schenker's counterpoint book get it)by addressing Parker's profound "Bach-like" sense of voice leading. Being a noteworthy educator and composer (former student of Milton Babbit), Henry's abitlity to verbalize asthetics is simply astounding. Add this one to your music theory book collection. It's is worth a thousand more than what it costs.

1 of 1 people found the following review helpful.
Problematizing the other Reviews
By Rutiger Reviews
I felt obligated to offer a brief review (?) of Henry Martin's book as it, and the literature from which it derives, was so terribly mischaracterized by the other amazon reviews.

What the reviews got correct: This is a book for specialists. Someone with little knowledge of the Schenkerian literature and jazz theory research (as opposed to jazz theory pedagogy) will likely (as is apparent in all three reviews) be unable to make heads or tails of Martin's argument, which I feel is quite clear to anyone with the aforementioned pre-reqs.

Some Correctives for the interested buyer:

Martin's goal is simply to attach the formulas, riffs, cliches, licks, etc. on the surface of Parker's improvisations to underlying linear and harmonic aspects of the heads. He makes aesthetic claims that relate forms (blues, rhythm-changes, and pop songs) and degree relationship between improvisation and composition, but they are not always unity=good, harmonic riffing=bad.

To claim that Martin obfuscates Parker's riff-oriented approach is to horribly misread the text.

To the author that stated that no jazz musicians think along Schenkerian lines: this is patently untrue. The most common counterexample is Bill Evans, who did graduate work at Mannes in a time when that institution was the forefront exporter of the technique. If you're interested these discussions, check out Steve Larson's dissertation.

To the same reviewer: Martin is not concerned with Parker's intent and he makes this quite explicit.

Similarly, to the reviewer trying to ascribe Bach-like characteristics to Parker, Martin did not disseminate this opinion.

Martin does however, simply setting up a parallel conservative lineage, which goes against a common conception; essentially, Martin claims that Parker's situation in the oral tradition and those who followed including free jazzers like Ornette were in a sense more conservative than people like Duke Ellington and Gil Evans who emphasized composition.

Martin makes no claim about this book and your musicianship. It might help if you want to integrate its ideas.

Finally,to claim that Martin has no practical experience with jazz is to be unaware of who he is, a well-known classical/jazz composer/performer with several albums on the Albany label of primarily piano music.

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• Sales Rank: #2685243 in Books
• Published on: 2016-02-15
• Original language: English
• Dimensions: 9.00" h x .11" w x 6.00" l,
• Binding: Paperback
• 46 pages

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0 of 0 people found the following review helpful.
Five Stars
By Katie Wooten
Highly recommend this book!

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• Published on: 1656
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• Published on: 2011
• Binding: Paperback

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[R541.Ebook] Ebook Street Music: City Poems, by Arnold Adoff

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A richly varied collection of poetry celebrates the sights, sounds, people, and rhythms of the city, from a skyscaper that touches the clouds to a Sunday concert in the park to the noisy honking of horns during a traffic jam.

• Sales Rank: #3535939 in Books
• Published on: 1995-01-26
• Released on: 1995-01-26
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .45" h x 8.93" w x 11.35" l,
• Binding: Library Binding
• 32 pages

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0 of 0 people found the following review helpful.
Magic of the City
By Joan Kramer
Arnold Adoff was always one of my favorite poets since I first encountered him in a school library. This book captures the sights and sounds of the city in a way that those of us not familiar with it can understand.
The book is excellent for teaching poetry to young children.
And the rhythm of his poetry is magical and musical.
So many ways that this book can be used by teachers and librarians.

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[K492.Ebook] Free PDF Who Made God?, by Larry Libby

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"Remember when you were a child and the things you wondered about God? Kids are no different today. They have questions about God that seem to have no logical explanation, but best-selling author Larry Libby offers sensitive, biblically-based answers to difficult questions. Filled with warm, heartwarming illustrations that create a comforting atmosphere for talking with children about their deep questions about God, Who Made God? provides a special time of sharing with your child. Help your child discover answers about the One who loves us most of all―our Heavenly Father."

• Sales Rank: #1146700 in Books
• Brand: Zonderkidz
• Published on: 2002-10-01
• Released on: 2002-09-15
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x .35" w x 9.02" l, 1.00 pounds
• Binding: Hardcover
• 40 pages

From the Back Cover
"Remember when you were a child and the things you wondered about God? Kids are no different today. They have questions about God that seem to have no logical explanation, but best-selling author Larry Libby offers sensitive, biblically-based answers to difficult questions. Filled with warm, heartwarming illustrations that create a comforting atmosphere for talking with children about their deep questions about God, Who Made God? provides a special time of sharing with your child. Help your child discover answers about the One who loves us most of all—our Heavenly Father."

About the Author

Larry Libby is an author and editor who has written a number of books including Someday Heaven and Who Made God? He and his wife, Carol, live in Washington.

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21 of 21 people found the following review helpful.
Draws children into book to answer their questions
By Harold McFarland
One of my favorite pairs of writers and illustrators for Christian children's books is Larry Libby and Corbert Gauthier. Larry seems to really have a gift for how to communicate with a child. Corbert, on the other hand, has a wonderful gift for illustration using bold colors, light and shadow in a way that draws the child and the parent into the illustration. "Who Made God?" is a children's book that discusses a lot of the normal questions that kids ask (and sometimes grownups too). Questions include "If God Made Everything, Then Who Made God?", "What Does God Look Like?", "Why Did God Make People?", "How Much Does God Love Me?", "What Does God Do All Day?", and "How Can I Know for Sure that I'll Go to Heaven?". For Christian families this is a highly recommended book that should be at hand once a child gets old enough to start asking questions like this.

2 of 2 people found the following review helpful.
Great Book!
By Jan
This book is in perfect condition, and it arrived before Christmas just as we had hoped! It's a really helpful book to answer all those questions that kids tend to ask.

1 of 1 people found the following review helpful.
Beuatiful book
By CottonCandy86
The pictures and illustrations in this book are absolutely gorgeous, I loved looking through it. I also like the answers to all the questions; I appreciate they cited bible verses to base them on. I got this for a friend, she's not a child but I think anyone can appreciate the art here and everyone has questions about faith sometimes. I think it's a great book for kids and adults alike.

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[A172.Ebook] Ebook Free Mel Bay You Can Teach Yourself Jazz Guitar, by John Griggs

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This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature. The companion online audio recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship. This book comes with an online audio download.

• Sales Rank: #2107669 in Books
• Brand: Brand: Mel Bay Pubns
• Published on: 2015-05-13
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .35" w x 8.50" l, .97 pounds
• Binding: Paperback
• 152 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
Four Stars
By Charles J. Alford
Good book.

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